"Dark Signals" is a song from my album I Hear Your Signals. This is an original dark electronica song with driving big beats, bit-crushed high-hats, a dash of ambient texture, and distorted synth leads. It's one of my favorite songs off the album and is becoming a crowd favorite at live shows.
In the spirit of Free Music Friday you can get this song, or the entire album over at http://markmosher.bandcamp.com name your price (enter $0 for FREE).
The song and video are Copyright 2010 Mark J. Mosher and are under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 License.
This video is in HD and I captured the audio full fidelity right from my sound card. So I recommend you listen with some good headphones or on a good system. You can play full screen, and or stream to your home theater via Tivo, Apple TV.
The video and audio were captured in one continuous take with no content edits so you can here a few artifacts and – dare I say it – teeny mistakes here and there which I left in as it’s part of the “character” of live performance. The only editing is on the video side where I added camera movement, camera mixing and visual effects.
The song is original and was composed and produced entirely Ableton Live 8 with virtual instruments and lots of native Live effects. I either played all the notes, hand programmed the notes, or played them live.
The song is peformed in Session view. I have all the scenes laid out so I can control the arrangement on the fly in session view. I’ve mapped a foot controller plugged into my Novation Remote SL MIDI mapped to “Scene Launch” leaving my hands free to play and configure the Tenori-On function on the fly while advancing the arrangement. This also means I’m not locked in and can change the arrangement or extend scenes if I like.
It’s a little hard to see, but when I’m playing keys, I’m riding the modulation wheel to add grit. I’ve also use after touch to add distortion like effects.
The Moog Etherwave Theremin signal is converted from pitch-to-MIDI using a VSTand is driving a textural pad from a virtual synth.
At the 1:42 mark I’m playing lead using Tenori-On matrix controller sending MIDI notes to a virtual synth running in Live. I also use a different “layer” in the Tenori-On to play the nasty metalic pad sound.
The blinking cubes are Percuss AudioCubes. Normally I use these as controllers, but in this song they are light sources which I programed and control using RGB MIDI clips from live.
I created a copy of this set for performance and then froze and flattened tracks with virtual instruments that were either not being played live or were not being modulated live. As a result, I got my set load time down to about 6 seconds and my CPU load down to around 10-20% peaking at around 25% even though I’m playing some VSTs live.