Synthesist and Multimedia Artist
I’ve just published a new short film called “ENVIRONS 001 – Searching for Creatures That Fly“.
I composed the music first. It was an improvisation recorded in one pass. Then I shot the footage over a series of a few days. Then a half-day tranquil video editing session letting music inspire the edits and visual effects in 5 or 6 editing passes. A narrative and vibe emerged.
If you enjoyed this piece and have a moment please leave a comment :^)
Mark
Elektron has just released MAJOR updates to the Digitakt and Digitone. Of course they are free 😃.
Get yourselves ready for some serious OS upgrade fun for the Digitakt, Digitone, and Digitone Keys. Time to get elbow deep in a host of cracking features that will make each device even more powerful and your music-making experience even sweeter.
https://www.elektronauts.com/news/522?utm_source=twitter&utm_medium=social&utm_content=other-video_native&utm_campaign=global-digi_os_up_06_20-
Class Compliant USB Audio
Class Compliant USB Audio has come to the Digi machines. Connect your Digitakt or Digitone to a compatible phone, tablet, or computer, and easily capture the audio recording from your unit on the fly. And this is just scratching the surface of what is possible. Hook up to all kinds of apps to add extra control in any number of ways: more effects, more LFOs, more freedom.
Step Recording mode
A new sequencing mode is available on the Digitakt and Digitones – Step Recording. This feature lets you input chords and notes into the sequencer step by step. Or use jump mode to skip to the next predetermined spot in the sequence via the Length parameter, making it even easier to control your melodies and build them a step at a time.
Trig Probability
Adjust Trig Probability on the Digitakt and Digitones to introduce a little controlled randomness to proceedings. Chance really is a fine thing.
Trig Preview
Stay a step ahead of the pattern with Trig Preview on the Digitakt and the Digitones. You can now preview individual trigs whenever you want, without having to wait for the track to catch up.
New Play Modes for Digitone
The Digitone Keys and Digitone now have four different Play Modes to choose from: Switch between Poly, Poly with mono LFOs, Mono, and Mono Legato and gain deeper control of envelopes and LFOs, and increased playability.
Increased sample skills for Digitakt
You can now use Parameter Randomization on the Digitakt to shuffle sample slots. And keep your sample list or sound pool better organized across all Digi machines with easier removal of unused sounds. Purging power, leveled up.
Lots more improvements & fixes
For a full list of improvements and bug fixes, check the release notes.
Note: When installing an OS please set your device to USB-MIDI mode.
Pro Tip: Read the release notes within the downloads as there is a WHOLE lot more changes in the updates that aren’t listed in the summary above.
To use the upgraded Digi OS with Overbridge, please update to Overbridge 2.0.39, also released today to support the new firmware.
To download Digitakt 1.20 head here.
Here are the release notes and updated manual for Digitakt.
To download Digitone 1.30 head here for the Digitone and here for the Digitone Keys.
Here are the release notes and the updated manual for Digitone / Digitone Keys.
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Here is a 1 minute video of my Sunday coffee in bed session with Elektron Digitone new 1.30 OS.
I started off this session thinking I was going to learn all the 20+ new features that Elektron added in the recent 1.30 update (see my earlier blog post).
I printed out the release notes and started going through the features. Then I ended up spending the entire session on a new STEP RECORDING mode called Jump which is documented on p. 33 of the updated Manual.
Jump mode allows you to the use the LEN parameter to automatically advance the sequencer when notes are received. This includes entering single notes or chords from an external MIDI controller. In this session I was using a Novation Launchkey MINI MK3 which has become my go to portable keyboard. You can also use the arrow keys to move through steps which allows you to skip steps which are now rests.
I have to say Jump is super useful and fun feature. It’s also a bit nostalgic for me as it’s similar to the step sequencer in my first synth the Poly-800 – woo hoo! Nice work Elektron! And thanks for always bringing new value to our machines.
I guess it’s going to take quite a few more sessions to get through the new features which I’m sure will inspire many new patterns and songs.
If you’d like to be notified of future blog posts on these sessions and other synth tech & technique topics take a moment to subscribe.
Take a trip through a wormhole where captured signals from a 50’s PSA come streaming through your space helmet. You try to tune to some techno, but it doesn’t work.
Sample mangling with Elektron Octatrack MKII making heavy use of scenes and Designer LFO’s. Some manually tuning of the Comb Filter with slider as well.
If you missed my live stream a few weeks back here is an unedited YouTube live replay of my solo multimedia concert. The performance is a combination of live arrangement and live playing that features original electronic music with real-time visuals.
More live streams are coming, so subscribe to my YouTube channel and click the bell icon to get notified of upcoming videos and streams.
The video is 23 minutes long but if you just want to jump to a particular song you can use the links below. Let me know in the comments which was your fav 😃.
As you can see some of these tracks will be released in the future. Follow or subscribe on my Bandcamp site to get notified of an album or single release.
All the music and sound is from Elektron Analog Four MKI, Octatrack MKII, and Digitone. The machines are not synced. I mostly play directly from the machines, but also play notes on the Analog Four via the Novation Launchkey Mini MK3 keyboard and on the Digitone via the Launchpad Pro MK3 grid. I also use the Launchkey Mini MK3 along with a Logidy UM3 pedal to control Resolume Arena 7 in real-time. Visual sources are from live camera input and other various sources.
The performance got some nice mentions by synth publications.
The video was featured as a Synth Sunday Jam. Thanks Synthtopia – woot!
I got an amazingly kind mention on the Synth and Software Facebook page.
Synth & Software is an online publication and social media community for electronic music enthusiasts—anyone who enjoys listening or who plays, programs, or aspires to make music with synthesizers, samplers, DAWs, audio processors, and other instruments and software…
https://synthandsoftware.com
I view this entire rig as a multimedia “instrument”. One goal in designing this “instrument” was to accommodate the following use cases while being air locked in a performance cockpit where my performance flow would not change whether I’m performing:
When I’m performing in person I don’t normally use headphones and don’t look at the monitor on my laptop. Instead listen I to the P.A. or monitors. I look at the screen or wall/screen/scrim where the visuals are being projected. This incorporates the performance space as part of the vibe of the performance.
My streaming equivalent of this is to us a big screen right in front of me and perform with reference monitors at near concert volumes. Performing this way is much closer to performing on stage in front of an audience which puts more positive energy into the performance.
In past incarnations of my multimedia show I controlled the arrangement and automation of visual effects for Resolume with Ableton Live “dummy clips” and automation envelopes. This meant the arrangement for visuals were implicitly locked with musical arrangement. For this new rig I wanted to decouple the visuals from the audio arrangement. This would allow me to perform the arrangement of the visuals manually making the experience more variable and unique with repeat performances.
I now control arrangement with the RBG pads on the Novation Launchkey MINI MK3.
Alternatively I can use the Logidy foot pedal for hands-free arrangement.
While I’m pretty busy playing and doing live arrangement, I can also use the Launchpad Pro MK3 with it’s custom MIDI modes and velocity sensitive fader grid feature to control parameters on Resolume.
FYI I’ve written past posts on these controllers in these categories:
My set list is made up of songs spread across each machine and I often perform an entire song using only one machine. In a few cases I will work across machines. For example, I perform the majority of my song “Disconnected” on the Octatrack and the leads from the Analog Four.
The machines are not synced and are not connected via MIDI. This allows for complete freedom to do live arrangement, change my set list on-the-fly. I might have corresponding patterns with matching tempos across machines but I select them and trigger them on-the-fly so I can play around with the pocket, tap tempo to shift or even change tempos or free-form play to add more tension.
Having no cross-machine dependency also means if a machine where to go down during a performance or have to be rebooted (which has never happened), the song and show can go on.
Another design goal for the rig was it had to fit into a Pelican 1510 case and backpack. This allows me to fly with the rig as well as load in to local shows with only one trip from the car.
I flew with an earlier version of this rig to Asheville, NC to perform at Mountain Skies in 2019 and manage to jam all this into a Pelican 1510.
With the addition of the new controllers I’m sure I could fit it all in the pelican with some overflow into my backpack.
Thanks for following along on this long read. If you’d like to get blog posts via email opt-in below.
Also swing by my Bandcamp page if you’d like to listen to some of my audio recordings, and my YouTube page to check out move videos.
I’ve schedule a YouTube Live event. Swing by now and click “Set Reminder”.
I’ve embedded the video in this post so if you happen to be here during the event you can watch live. If you are here after the event you can watch the replay.
I was asked to perform 20-25 minutes. Below is my planned set list. Of course, things tend to be fluid when doing online streaming so this may shift.
All music and sound will performed live and with live arrangement using the Elektron Analog Four MKI, Octatrack MKII, and Digitone. I will be performing on the machines directly and with the Novation Launchkey Mini MK3 and Launchpad Pro MK3.
All visuals are generated in real-time with Resolume Arena 7, with live camera input from a Logitech C922X and other various sources. I control Resolume in real-time with Novation Launchkey Mini MK3 and Launchpad Pro MK3.
I’m streaming with OBS Studio with audio routed into a Yamaha AG06 audio interface with loopback. My talkback mic is a RØDE PodMic.
If you enjoyed todays performance and want to show you can leave me a tip with a secure PayPal donation…
or…
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I’ll be doing an online talk tonight (5/18/20) at 7:30 PM MDT on the Launchpad Pro MK3.
Subs Up & BAUG present: Using the Launchpad Pro MK3 w/ Ableton Live and Hardware at https://www.meetup.com/SubsUp/events/270647931/
The Launhpad Pro MK3 is an incredible deep and useful controller that goes way beyond being an Ableton Live controller. It can be used as a stand-alone MIDI Controller to send notes and chords. It also has a 4 track stand-alone sequencer with advanced features such as probability and mutation. You can have 8 custom modes where you basically make 8 different custom MIDI Controllers.
Live integration also much improved with new dedicated buttons. You can also combine stand-alone with Live using features like “Print to Clip”. Additionally you can send MIDI out 2 hardware output and USB simultaneously. The pads are full RGB, velocity and pressure sensitive. They feel great. Plus this thing is light and small.
I’m still refining my talk but here is a mind map outline of what I’m planning to cover.
I just love this thing and I’m finding all sorts of uses for it. The video below is an example of using it stand-alone. I used the stand-alone sequencer to make this pattern and recorded into the Digitone. I then use the notes and chord mode to play the Digitone live.
While the video below is the sibling Launchpad X it illustrates the use of the velocity sensitive faders in a custom mode to control an effects processor.
I’m also using custom modes to control my visual software Resolume. More on this in a future post.
In a related note this year marks my 10th year using Novation Launchpads. Here are a few pics
Through the years I think I’ve owned 4 different versions (all the ones in green below). When I bought the Launchpad Pro MK3 some accused me of needing some sort of intervention (Dino and Jeff) 😂.
Here are some videos from my archives using previous generation Launchpads. First a video from 2010.
Here is a video from 2013 where I’m using a launchpad to move patch cables on a virtual synth.
In closing I’ll say that the Launchpad series have been transformative and fun and I look forward to working more with the Launchpad Pro MK3.
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In this post I wanted offer a brief summary of subscriber-exclusives since I launched the subscription in mid-December to give those who haven’t subscribed a sense for what’s happening over on the subscribers page 😀.
First off, thanks to all who have subscribed so far. I really appreciate it 🙏.
In addition to the 12 releases in my back-catalog, subscribers are getting early access to the forthcoming soundscapes album Sonic Encounters Volume 03. Since the subscription went live I’ve posted 2 new soundscapes “Ancient Savanna (A Post Modern Ambient Bossa Nova Ice Cream Sandwich)” and “Antarctic Night” both over 5 minutes long.
I posted many of my #Jamuary videos early to the subscribe page and offered more detailed composer and producer’s notes. In come cases I provided early access to extended versions of the videos.
I’ve offered around a dozen BTS updates.
I’m writing a guide on making music with the iPad. It’s a work in progress but already has a lot of useful and time-saving info. I’m up to about 2,000 words. Subscribers have access to my draft. I’ll be updating this from time-to-time.
If you want to learn more about the subscription which is only $15 a year (and you get to keep all releases you had access to after your subscription ends) visit https://markmosher.bandcamp.com/subscribe. Take a moment to watch the video which also doubles as a nice look back at my discography spanning back 10 years.
Cheers,
Mark Mosher
Electronic & Experimental Musician, Multimedia Artist, Event Producer
Boulder, CO
MarkMosherMusic.com
Last month I participated in #jamuary and created 7 new songs which I’ve posted as videos to this YouTube playlist. . It was really inspiring and freeing to just go for it and finish these short musical themes.
Via @truecuckoo … “The idea with Jamuary is to get going with what you have, and to help get comfortable sharing and performing little jams, and to get to know each other and appreciate what everyone is doing in the electronic music independent scene. Post a little music snippet every day of jamuary, or for as many of the days that you have the energy to. Browse the hashtag and get inspired. Get to know musicians you had never heard about, and perhaps even make some friends along the way.”
Below are the individual vids below (click on the pics of vids if you are reading this via email). The are numbered based on the day in January in which they were released.
Let me know if you have a favorite in the comments.
I created the song from scratch in Korg Gadget. I’m still amazed at how fantastic these virtual Korg synths sound!
In this piece I used Korg’s emulations of the Arp Odyssey (Arp ODYESEi aka Lexington) and Korg Mono/Poly (MonoPoly aka Montpellier) for the leads. The bells from the gadget synth Helsinki which are bit-crushed. Drums are from various drum gadgets. The earth shaking smooth bass is from an emulation of the Korg MS20 (iMS-20 aka Memphis). I performed, arranged and mixed the piece in Gadget then rendered it out to AudioShare.
From there I normalized the audio and then exported to dropbox. To create the video I took a screen recording of the audio running in the AudioShare player on the iPad. I then trimmed that and used it as a source for Resolume. I then performed real-time synthesis using that video as a source.
My #jamurary2020 Day 05 is improvised piano with Frippertonics looping with additional live sampling powered by Edradour 10 Year single malt scotch 🥃 😋.
I’m using a gorgeous virtual grand piano from the Korg Module app. I’m feeding that into the fantastic Audio Damage Enzo looper to do Frippertronics looping. Once I get some music rolling I live sample the looper plus live playing into the Samplr app. All this is being run through the gorgeous Eventide Blackhole reverb.
To learn more about Edradour visit there web site www.edradour.com. Here is a review of Edradour 10 Year youtu.be/pzSRKJlSMcE?t=336.
My #jamurary2020 Day 06 – under the watchful eye of Gort – is once again made all on one @Apple iPad Air with no external synths or audio processing. #aum is the host and the musical bed is a string part improvised with lovely @sugarbytesofficial Factory synth into an instance of the most amazing @audio.damage Enzo looper and a beat I created with most groovy @olympianoiseco Patterning 2.
I improvise a lead on @cmepro Xkey Air keys over the bed with the killer @korgofficial iMono/Poly synth and start fading in parts with the LaunchpadX. My lead and the musical bed start to fill up effects buffers in @sugarbytesofficial Turnado and I then improvize and control slicing in real-time with Launchpad X. The @Eventideaudio Blackhole appears throughout the signal flow to give the piece some sense of space.
I recorded my Jamuary2020 Day 07 synth improv video from Bittersweet Cafe in n Louisville, CO while enjoying a cappuccino ☺. One again this is on an @Apple iPad Air with no external synths or audio processing. #AUM is the host.
I started off by improvising a loop with a bell pad sound using @sugarbytesofficial Factory synth performed with GeoShred Pro as a MIDI controller using @audio.damage Enzo looper. I then used @audio.damage granular synth Quantum to make a textural bed underneath. The source is from an original field recording I made New Years Eve 2018 in a tube station in London. It’s about 200 people singing the same song as they jam into a tight tunnel to access tracks below ground. I build a loop using @audio.damage Enzo. The @Eventideaudio Blackhole appears throughout the signal flow to give the piece some sense of space.
I then live programmed the drums and bass elements using @olympianoiseco Patterning 2 with the circular grid and with real-time recording with pads on the glass. I finish off with a little distorted lead using GeoShred Pro with Factory synth.
A tech note – this was all battery-powered and also wireless as I used AirPod Pros to monitor the iPad and used AUM to record digitally record the session. GoPro Hero 7 was used for the video. It all fit into a small sling bag 😎.
For my #jamuary2020 Day 13 I’m using only my trusty @nordkeyboards Nord Lead 4 with 3 custom presets from “init” arranged into a “performance” with a split.
For those not familiar with the Nord Lead 4, it has 4 complete synthesizers each with their own FX each. Presets called “programs” can be placed into one of four “slots”. Slots can be combined into “performances” where you can perform with all four slots in concert.
For EACH synth instance you create both impulse and continuous morphs which allow you to save states for pretty much any parameter in for the preset in a slot without changing presets 😮. You can save and trigger 7 impulse morphs per slot with impulse morph buttons on the left next to the wooden pitch stick. Morph buttons are momentary switches but you can latch them as I do 26 second mark. Continuous morphs are mapped to the groovy pumice mod wheel (or map this to an expression pedal).
I used this custom set of presets and “performance” when I performed as a special guest for the Boulder Laptop Orchestra (BLOrK) at the @cu_atlas Atlas Black Box at @cuboulder back in 2017. For this performance I used only the Nord Lead 4 with 14 programs each with a large number of morph states. Video here https://youtu.be/ScpItttfGlY.
In a somewhat related note I’m a @uccs_alumni so it was real treat to perform within the CU system 😀. #jamuary #improv #synth #blork #sounddesign
Nord + Cat. That is all.
My Day 29 #Jamuary is a #MusiqueConcrète piece I improvised using ONLY samples I recorded at my favorite barber shop @rockbarbers (http://www.rockbarbers.com/). A big thanks to Rock Barbers for allowing me bring my @zoomsoundlab H1n recorder to do a field recording session at their place 😀.
I made this using a @microsoft Surface Laptop 3 on Windows 10 with @Ableton Live, #Push 2, Wavetable, one drum rack and 3 instances of @audio.damage Quanta. This play-by-play below applies to the long version which is on YouTube here.
I start off playing an instance of Ableton Wavetable. I made a custom preset by importing the sound of a barber shaving cream hot lather dispenser to make a custom wavetable. The right waveform is barber shears. Further #SoundDesign from there to make it all an instrument. I play this on an Ableton #Push2 controller and record the notes I’m playing on-the-fly to create a MIDI loop. A bit of Echo and Reverb on this.
Once I get that going I move on the 2nd track which uses the most amazing @audio.damage Quanta granular synthesizer where I use a sample of barber shears. I improvise and record notes into a loop. I sweeten this using the Amazing Noises Outer Spaces @c74connect Max for Live reverb.
I move on to a 3rd track. Again I’m using Quanta. This time I’m doing granular synthesis using a field recording of the cash register drawer opening. The ding bell sound played across the keyboard and stretched with granular synthesis sounds a bit like chimes. Once again I use Outer Spaces as my reverb.
I move on to the 4th track, use Quanta yet again and this time the sample is the sound of a comb being banged inside a barber comb jar with Ableton Echo for effects.
I move on to the 5th track and bring things to a crescendo using an Ableton Drum rack loaded with samples of the footrest being dropped on an old barber chair, the sound of the razor strap on that old chair being jiggled, the din of the shop, shears, an electric clipper, the comb banging on the jar, and a blow dryer. I then start to fade dial back the energy and eventually return back where I started at Ableton Wavetable with a bit of barber shears.
I first launched the Sonic Encounters podcast in almost 5 years ago in June of 2015. In June of 2017 I also started releasing podcast seasons as albums on Bandcamp.
Today I’m writing to let you now that I’ve decided to retire the podcast and continue forward with Sonic Encounters exclusively as an album series on Bandcamp.
So a big thanks all of you out there who listened to and subscribed to the past episodes. Below is more info on how to continue to stream or download past episodes plus get new songs as I release them.
You can still stream all past episodes that were released as albums for free via Bandcamp. The advantage of having these as Bandcamp releases is that you can also buy and then download high resolution audio versions of the songs and in some cases get bonus tracks.
Active subscribers to my bandcamp subscription (learn more here) get access to all my new music plus my entire back catalog of 12 releases which includes Volume 01 and Volume 02 of Sonic Encounters. Subscribers also get early access to Volume 03 which is in the works.
Subscribers get access to tracks of Volume 03 as I’m creating the album. As of this post, the album has 2 tracks from the podcast before I shut it down, plus a brand new track called…
“Ancient Savanna (A Post Modern Ambient Bossa Nova Ice Cream Sandwich)”.
It’s a soundscape with a narrative arc and is the third song on the forthcoming Sonic Encounters Volume 03 album. It’s filled with some throwback rhythms and gorgeous analog tones.
Thanks for listening and subscribers thanks for your support!
Mark
I had the pleasure of doing visuals for Shibui #9 in Denver at the Mutiny Information Cafe. Here is a video with some excerpts from my GoPro footage of the amazing Pythian Whispers set with Victoria Lundy sitting in on Theremin.
For this set I improvised in real-time using visual synthesis with live camera input as my only source using Resolume with Novation LaunchPad X for my control surface. The Laucnhpad has a custom controller layout I made for Resolume.
Here is a cockpit view.
A few updates.
First off, reminder that I’ll performing visuals for a show tonight (January 26th, 2020). Here is the official Facebook event.
In case you missed it, I’ve been working for over a year on my first studio album in over 5 years.
The songs have been composed and recorded. I’m in final mixdown and mastering.
I’m redesigning my studio space to make mixing and mastering more comfortable. I was originally going to get a bigger monitor speaker setup than my current 5″ but after doing some reviews I decided to go with smaller powered micro monitors so I can mix longer with less fatigue. I’m going to give iLoud Micro Monitors a try https://www.ikmultimedia.com/products/iloudmm/.
I’m also reworking my desk solution to get a sit/stand desk. Until I get this all worked out I’m taking a break on album production. Should have all this sorted in a week or two.
I’ve been doing subscribe-exclusive posts on Jamuary but haven’t put anything out as a blog post on this here yet. I’ll do a more formal blog post on this after January linking to all videos. For now check out the YoutTube playlist for the videos I’ve posted to date and to see new ones I finish before the end of the month https://www.youtube.com/playlist?list=PLGCypErMVASYA4Je2sHhyGdqMP5Rs1TJG.
I changed my event pages work. I used to maintain a table with events in it. It was difficult to edit and keep up with. Inspired by my friend Victoria’s site https://www.victorialundymusic.com/, I decided to simply create a menu that links to posts categorized as “Events”. It took me a few hours, but I went back through every post spanning back to 2008 and to categorize events. So new upcoming and past events are simply here…
https://markmoshermusic.com/category/events/
I’ve created a new page called a “now” page. I bumped into this idea via after listening to Brian Funk’s podcast with CD Baby Founder Derek Sivers https://brianfunk.com/blog/2020/1/23/derek-sivers-on-the-creative-process-and-making-music-music-production-podcast-149. I thought it was really interesting. After listening I swung by Derek’s web site and discovered and idea called a “now” page. Here is the concept https://sivers.org/nowff. If you have a site you might want to consider a “now” page in addition to your “about” page here is even more info https://nownownow.com/about.
This inspired me to create a “now” page for my artist site which is here…
https://markmoshermusic.com/now/
Cheers,
Mark
Happy New Year! I’ll be doing visuals for Shibui #9 at Mutiny Information Cafe in Denver on January 26th. Here is the official Facebook event.
This is the 9th edition of Shibui Denver, the last Sunday of the month showcase of underground music curated and hosted by local music historian/commentator Tom Murphy. This show will be one of the few with three acts including Pop Grunge band The Vanilla Milkshakes, experimental indie rock group Lazarus Horse and ambient psychedelic project Pythian Whispers. Synth composer and digital artist Mark Mosher of the Rocky Mountain Synth Meet-up will provide the visuals. Donations appreciated for the bands. 7 p.m. start.
Saturday Dec 21st, 2019
1-3pm
Little Horse Vintage, Books, Vinyl
820 Main St.
Louisville, CO
I’m happy to announce a special event at Little Horse Books, Vintage & Vinyl in downtown Louisville. I’ve arranged with the owner to do a record store takeover with the Synth Patrol. It’s a perfect chance to do some holiday shopping and listen to some experimental music.
On this mission, the Synth Patrol squad will be meetup members The Aefonic (aka Brian Horsfield), Cold Future (aka Victor John), monoscene (aka Christoph Scholtes) and Newecho (aka me). We will be live sampling random needle drops on random or shopper-selected vinyl to improvise a live soundscape. I’ll accompany all this with psychedelic visuals. Here are some sample visuals.
This is an improvisational session and we’ll be performing from 1-3 continuously so feel free to come late or wander in and out.
Here is a walk through video of the space.
There is free parking downtown on the streets and at the Library. Within a two block radius you can grab lunch or drinks at one of many restaurants, shop for vinyl and vintage at Little Horse, listen to the performance, grab a beer at 12 Degree Brewing (which is in the same building), stroll about and buy local, wander over to Tilt Arcade, and/or finish off your afternoon at the amazing ice cream at Sweet Cow.
Brian Horsfield (aka The Aefonic) – Modular
Victor John (aka Cold Future) – Elektron Octatrack
Mark Mosher – Interactive Visuals with live camera input, Ableton Live & Push 2
Christoph Scholtes (aka monoscene ) – Modular
Mark Mosher – Director, Graphical Score, Opening Film, PR
Brian Horsfield – Rehearsal space
Victoria Lundy of Cuttlefish Arts – Synth Patrol brand identity consulting and logo
Little Horse Vintage, Books, Vinyl
Rocky Mountain Synthesizer Meetup Members.
I’ve launched a new Bandcamp subscription. Watch the video 4 minute video here https://markmosher.bandcamp.com/subscribe. Watch till the end as there is an Easter egg for those familiar with my alien invasion sci-fi themes albums :^)
This video is made up of some GoPro footage from Rocky Mountain Synthesizer Meetup #74 – “Special Event: Beat Cypher Halloween Collaboration + Intro to SP-404”.
I’m performing two songs from my album I Hear Your Signals https://markmosher.bandcamp.com/album/i-hear-your-signals.
First up is “I Can See Them” performed on Percussa AudioCubes and Ableton Live.
This is followed by “Resolute” on keys, Novation LaunchPad X with AudioCubes providing interactive lighting via automation from Live dummy clips.
This event was a collaboration with madelife in Boulder, CO who hosts a monthly madelife BEAT CYPHERS. Event link https://www.meetup.com/Rocky-Mountain-Synth/events/264878800/.
I Hear Your Signals is album #2 in a series of alien invasion concept albums containing original electronica, dark ambient, and experimental tracks. This second album in the series, released in 2010, is a retelling of Album #1 – but – from the alien point of view inverted emotional curves!
