Categories
(Mark Mosher Music News) (Modulate This) Event

Presenting Tonight (5/18/20) on Launchpad Pro MK3 + Trip Down Memory Lane with Launchpad

Presenting on Launchpad Pro MK3

I’ll be doing an online talk tonight (5/18/20) at 7:30 PM MDT on the Launchpad Pro MK3.

Subs Up & BAUG present: Using the Launchpad Pro MK3 w/ Ableton Live and Hardware at https://www.meetup.com/SubsUp/events/270647931/

Meet the Launchpad Pro MK3

The Launhpad Pro MK3 is an incredible deep and useful controller that goes way beyond being an Ableton Live controller. It can be used as a stand-alone MIDI Controller to send notes and chords. It also has a 4 track stand-alone sequencer with advanced features such as probability and mutation. You can have 8 custom modes where you basically make 8 different custom MIDI Controllers.

Live integration also much improved with new dedicated buttons. You can also combine stand-alone with Live using features like “Print to Clip”. Additionally you can send MIDI out 2 hardware output and USB simultaneously. The pads are full RGB, velocity and pressure sensitive. They feel great. Plus this thing is light and small.

What I’ll Be Talking About

I’m still refining my talk but here is a mind map outline of what I’m planning to cover.

Click image to see larger version

Launchpad Pro MK3 In Action

I just love this thing and I’m finding all sorts of uses for it. The video below is an example of using it stand-alone. I used the stand-alone sequencer to make this pattern and recorded into the Digitone. I then use the notes and chord mode to play the Digitone live.

While the video below is the sibling Launchpad X it illustrates the use of the velocity sensitive faders in a custom mode to control an effects processor.

I’m also using custom modes to control my visual software Resolume. More on this in a future post.

10 Years with Launchpad

In a related note this year marks my 10th year using Novation Launchpads. Here are a few pics

Through the years I think I’ve owned 4 different versions (all the ones in green below). When I bought the Launchpad Pro MK3 some accused me of needing some sort of intervention (Dino and Jeff) 😂.

A Few Videos of the LP PRO MK3 in Use

Here are some videos from my archives using previous generation Launchpads. First a video from 2010.

Here is a video from 2013 where I’m using a launchpad to move patch cables on a virtual synth.

Closing Thoughts

In closing I’ll say that the Launchpad series have been transformative and fun and I look forward to working more with the Launchpad Pro MK3.


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Categories
(Modulate This) Elektron Elektron Digitone

Video: Elektron​ Digitone meets Novation​ Launchpad Pro MK3 Hardware Sequencer, Note and Chord Modes

Here is a 1 minute video of a new song I’m working on with the Digitone.

In this piece, I’m used the Launchpad Pro MK3 hardware sequencer to create a sequences with probability and mutation. I then recorded the MIDI output of the Launchpad Pro MK3 into Digitone via hardware MIDI connection from Launchpad.

I then perform live with Digitone and use the Launchpad Pro MK3 to play notes with Note and Chord mode. Aftertouch is routed to filter and resonance.

To check out more videos visit my YouTube channel and for more music visit my Bandcamp page.

Oh and check out my article on LaunchPad X for Launchpad Pro MK3.

Categories
(Modulate This) Launchpad

Novation Launchpad Pro MK3 vs Launchpad X Specifications + A Little Push 2 Thrown In

In this blog post I offer a spec comparison of the brand new Launchpad Pro MK3 with the Launchpad X. I also go beyond the specifications and offer lots of side-by-side pictures to give you more of a sense for the difference between these controllers. I’ll offer a few pics comparing the Launchpad’s to Ableton Push 2. I won’t be covering all the workflow and features as there are plenty of videos on that.

My History with Launchpad

For context, I’ve been using Launchpad controllers for almost 10 years. I’ll do a separate post on this soon. I started using the Launchpad X in October for Ableton Live, as my main Resolume Controller, and as a controller for of my iPad performances. I love the form factor, feel of the pads, velocity sensitive faders and custom modes.

Launchpad Pro MK3 in the House

When the Launchpad Pro MK3 was announced with deeper Live integration, more custom modes in a similar form factor as the X I went for it. Here is a short video I made of a song I made in Ableton Live while I was getting to know Launchpad Pro MK3 along with Percussa Audio Cubes.

Novation’s summary new features in Launchpad Pro MK3

Before we get started here is Novation’s marketing blurb on the MK3.

• Our deepest Ableton Live Integration: play,
record and produce your tracks, all without
touching your mouse
• 64 super-sensitive RGB pads: large velocity
and pressure sensitive pads for playing your
sounds expressively
• Powerful four-track sequencer: 32 step
patterns, scenes for arrangement, and
probability and mutation controls to keep
your tracks evolving
• Chord mode: easily explore, build, save and
play complex chords straight from the grid
and quickly find new harmonies
• Dynamic Note and Scale modes: effortlessly
play perfectly in-key basslines, melodies,
chords and leads. Launchpad Pro even
knows when you’re drumming and shows
your drum rack on the grid
• MIDI In, Out 1, Out 2/Thru: Control anything
MIDI in your studio directly from Launchpad
Pro
• Eight Custom Modes: use Novation
Components to customise MIDI mappings
for your unique performance needs

Size

The Launchpad Pro MK3 it’s just a little bigger than the X which is pretty fantastic news. On paper, the height of the Pro MK3 is .5mm taller but they look pretty much the same to me side-by-side.

Launchpad XLaunchpad Pro MK3
Height.68″ (17.5mm).7″ (18mm)
Widgth9.48″ (241mm)10.55″ (268mm)
Depth9.48″ (241mm)10.55″ (268mm)

It’s essentially the same case design with more height and width to accommodate the buttons on the sides of the RGB pads.

Launchpad Pro MK3 on the left and Launchpad X on the right
Height of Launchpad Pro MK3 on the left and Launchpad X on the Right

Connectivity

Launchpad X on the top and the Launchpad Pro MK3 on the bottom

They both have Kensington MiniSaver slots, and USB-C socket for connectivity to computer or hub for iPad use. The Pro MK3 has 3 additional 3.5mm jacks for in, out, and a second out/thru output (3 converter cables are included in the box).

RGB Pads

Pro MK3 on left, X on the Right

The pads seem identical in both in both size and feel. Lighting intensity seems identical to me. They are both Velocity and Pressure sensitive and can be set to transmit Polyphonic Aftertouch or Channel Pressure. As you’ll see in the picture below, the pads on the Pro MK3 are slightly lower profile as they seem mounted a little closer and flush to the surface of the case.

If you have never played the Launchpad X before, the pads feel quite similar to the Push 2.

Buttons

Launchpad X on left Launchpad Pro on Right

Launchpad X – 16 Buttons

The 16 Buttons on the top and down the right side of the Launchpad X feel the same as the pads to the touch but have more travel than the pads. They wiggle. They have a bit of a mushy stop when you hit button but don’t click like on a Push 2. Totally usable and fine, but not as refined as the Pro MK3.

Launchpad Pro MK3 – 42 Backlit “Tactile-Click” Buttons

The Launchpad Pro MK3 introduces backlit “tactile click” buttons. The buttons along the sides feel similar on the surface to the grid pads but have a more travel with almost no side-to-side wiggle and a nice button-like definitive click you can feel and hear when you hit bottom.

They feel very similar to the button on the Push 2 with maybe a little less give when you hit bottom. A bit more crisp. They look more more like a Push 2 with the way the text is displayed and more refined than X (which looks a little more a black mask on a an RGB button than punch-through text on a black button).

Weight

The weight for the Launchpad Pro MK3 isn’t listed in the specs on Novation’s web site or in the online stores so I weighed them on a kitchen scale (apologies for the flower on the scale).

If I round, Launchpad Pro MK3 is around 2.2 lbs (992g) and Launchpad X is around 1.8lbs (822g).

Basically there is almost no penalty in weight for the extra buttons and slight size size difference. In other words, unlike with the Launchpad Pro MK2 which I felt was thick and heavy, the size and weight between the MK3 and X shouldn’t be a limiting factor for those who want go for the extra features of the MK3.

Launchpad X vs Launchpad Pro MK3 vs Push 2

Just for reference, here are few pictures with these two launchpads compared to an Ableton Push 2. This is not a criticism of Push 2 as it has it’s own unique features and I feel the 2 in combination have some real benefits. BTW – Push 2 weighs in at Weight: 6.0 pounds (2,710g)

Push 2, Launchpad Pro MK3 and Launchpad X side-by-side.
Launchpad Pro MK3 Sitting over grid portion of Push 2
Launchpad X, Launchpad Pro MK3 stacked on a Push

Launchpad X vs Launchpad Pro MK3 Specs

Launchpad XLaunchpad Pro MK3
Pads64 Velocity Sensitive Pads with Polyphonic Aftertouch64 Velocity Sensitive Pads with Polyphonic Aftertouch
Velocity SensitiveYesYes
USB1 x USB-C1 x USB-C
Power SupplyUSB Bus PoweredUSB Bus Powered
Height.68″ (17.5mm).7″ (18mm)
Widgth9.48″ (241mm)10.55″ (268mm)
Depth9.48″ (241mm)10.55″ (268mm)
ConnectivityMIDI In, Out 1 & Out 2/Thru Ports (3x TRS Minijack to DIN MIDI Adapters included)
OS CompatibilityNovation Launchpad X is class compliant, so will work with any modern Mac and Windows PC. Lightning to USB 3 Camera Adapter with external power is required for use with iOS.Novation Launchpad Pro is class compliant, so will work with any modern Mac and Windows PC. Lightning to USB 3 Camera Adapter with external power is required for use with iOS.
What’s In the BoxLaunchpad X
USB-A to USB-C Cable
Safety Information Sheet
Launchpad Pro
USB-A to USB-C Cable
USB-C to USB-C Cable
USB-A Power Adapter
3x TRS Minijack to DIN MIDI Adapters
Safety information sheet
Stand-Alone SequencerNoPowerful four-track sequencer: 32 step
patterns, scenes for arrangement, and
probability and mutation controls to keep
your tracks evolving
Chord ModeNoEasily explore, build, save and
play complex chords straight from the grid
and quickly find new harmonies
Velocity Sensitive FadersYesYes
Modes– Session
– Mixer
– Note (includes drum)
– Four Custom Modes: use Novation
Components to customise MIDI mappings
for your unique performance need
– Session
– Note (includes drum)
Chord
Sequencer
Project
Eight Custom Modes: use Novation
Components to customise MIDI mappings
for your unique performance need, Sequencer, Project
Ableton Live Session OverviewNo. Sadly the Session button does double-duty as the Mixer mode button so you lose Session OverviewYes with long-press
Ableton Live Integration– Capture MIDI– Capture MIDI
– Record and play transports
– Fixed Length toggle and control
– Quantize clip
– Record Quantize
– Duplicate clip
– Double clip
– Clear clip
– Record Arm
– Mute
– Volume
– Pan
– Sends
– Device
– Stop Clip
– Undo
– Redo
– Click
– Tap
– Tempo
– Swing
Note and Scale ModesDynamic Note and Scale modes: effortlessly
play perfectly in-key basslines, melodies,
chords and leads. Launchpad Pro even
knows when you’re drumming and shows
your drum rack on the grid
Dynamic Note and Scale modes: effortlessly
play perfectly in-key basslines, melodies,
chords and leads. Launchpad Pro even
knows when you’re drumming and shows
your drum rack on the grid
Included SoftwareSee Novation Web SiteSee Novation Web Site

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Categories
(Mark Mosher Music News) Jamuary Performance Videos

All My #Jamuary Videos Along with Detailed Rig & Producer Notes

Last month I participated in #jamuary and created 7 new songs which I’ve posted as videos to this YouTube playlist. . It was really inspiring and freeing to just go for it and finish these short musical themes.

Via @truecuckoo … “The idea with Jamuary is to get going with what you have, and to help get comfortable sharing and performing little jams, and to get to know each other and appreciate what everyone is doing in the electronic music independent scene. Post a little music snippet every day of jamuary, or for as many of the days that you have the energy to. Browse the hashtag and get inspired. Get to know musicians you had never heard about, and perhaps even make some friends along the way.”

Below are the individual vids below (click on the pics of vids if you are reading this via email). The are numbered based on the day in January in which they were released.

Let me know if you have a favorite in the comments.

Day 04 Featuring the iPad and Resolume

I created the song from scratch in Korg Gadget. I’m still amazed at how fantastic these virtual Korg synths sound!

In this piece I used Korg’s emulations of the Arp Odyssey (Arp ODYESEi aka Lexington) and Korg Mono/Poly (MonoPoly aka Montpellier) for the leads. The bells from the gadget synth Helsinki which are bit-crushed. Drums are from various drum gadgets. The earth shaking smooth bass is from an emulation of the Korg MS20 (iMS-20 aka Memphis). I performed, arranged and mixed the piece in Gadget then rendered it out to AudioShare.

From there I normalized the audio and then exported to dropbox. To create the video I took a screen recording of the audio running in the AudioShare player on the iPad. I then trimmed that and used it as a source for Resolume. I then performed real-time synthesis using that video as a source.

Day 05 Featuring the iPad and Edradour 10 Year Single Malt Scotch

My #jamurary2020 Day 05 is improvised piano with Frippertonics looping with additional live sampling powered by Edradour 10 Year single malt scotch 🥃 😋.

I’m using a gorgeous virtual grand piano from the Korg Module app. I’m feeding that into the fantastic Audio Damage Enzo looper to do Frippertronics looping. Once I get some music rolling I live sample the looper plus live playing into the Samplr app. All this is being run through the gorgeous Eventide Blackhole reverb.

To learn more about Edradour visit there web site www.edradour.com. Here is a review of Edradour 10 Year youtu.be/pzSRKJlSMcE?t=336.

Day 06 on iPad and Launchpad Under the Watchful Eye of Gort

My #jamurary2020 Day 06 – under the watchful eye of Gort – is once again made all on one @Apple iPad Air with no external synths or audio processing. #aum is the host and the musical bed is a string part improvised with lovely @sugarbytesofficial Factory synth into an instance of the most amazing @audio.damage Enzo looper and a beat I created with most groovy @olympianoiseco Patterning 2.

I improvise a lead on @cmepro Xkey Air keys over the bed with the killer @korgofficial iMono/Poly synth and start fading in parts with the LaunchpadX. My lead and the musical bed start to fill up effects buffers in @sugarbytesofficial Turnado and I then improvize and control slicing in real-time with Launchpad X. The @Eventideaudio Blackhole appears throughout the signal flow to give the piece some sense of space.

Day 07 Performed on iPad at a Local Coffee Shop

I recorded my Jamuary2020 Day 07 synth improv video from Bittersweet Cafe in n Louisville, CO while enjoying a cappuccino ☺. One again this is on an @Apple iPad Air with no external synths or audio processing. #AUM is the host.

I started off by improvising a loop with a bell pad sound using @sugarbytesofficial Factory synth performed with GeoShred Pro as a MIDI controller using @audio.damage Enzo looper. I then used @audio.damage granular synth Quantum to make a textural bed underneath. The source is from an original field recording I made New Years Eve 2018 in a tube station in London. It’s about 200 people singing the same song as they jam into a tight tunnel to access tracks below ground. I build a loop using @audio.damage Enzo. The @Eventideaudio Blackhole appears throughout the signal flow to give the piece some sense of space.

I then live programmed the drums and bass elements using @olympianoiseco Patterning 2 with the circular grid and with real-time recording with pads on the glass. I finish off with a little distorted lead using GeoShred Pro with Factory synth.

A tech note – this was all battery-powered and also wireless as I used AirPod Pros to monitor the iPad and used AUM to record digitally record the session. GoPro Hero 7 was used for the video. It all fit into a small sling bag 😎.

Jamuary 2020 Day 13 – Nord Lead 4 Morph Mania

For my #jamuary2020 Day 13 I’m using only my trusty @nordkeyboards Nord Lead 4 with 3 custom presets from “init” arranged into a “performance” with a split.

For those not familiar with the Nord Lead 4, it has 4 complete synthesizers each with their own FX each. Presets called “programs” can be placed into one of four “slots”. Slots can be combined into “performances” where you can perform with all four slots in concert.

For EACH synth instance you create both impulse and continuous morphs which allow you to save states for pretty much any parameter in for the preset in a slot without changing presets 😮. You can save and trigger 7 impulse morphs per slot with impulse morph buttons on the left next to the wooden pitch stick. Morph buttons are momentary switches but you can latch them as I do 26 second mark. Continuous morphs are mapped to the groovy pumice mod wheel (or map this to an expression pedal).

I used this custom set of presets and “performance” when I performed as a special guest for the Boulder Laptop Orchestra (BLOrK) at the @cu_atlas Atlas Black Box at @cuboulder back in 2017. For this performance I used only the Nord Lead 4 with 14 programs each with a large number of morph states. Video here https://youtu.be/ScpItttfGlY.

In a somewhat related note I’m a @uccs_alumni so it was real treat to perform within the CU system 😀. #jamuary #improv #synth #blork #sounddesign

Day 22 – Nord Lead 4 Krell Plus Cat

Nord + Cat. That is all.

Day 29

My Day 29 #Jamuary is a #MusiqueConcrète piece I improvised using ONLY samples I recorded at my favorite barber shop @rockbarbers (http://www.rockbarbers.com/). A big thanks to Rock Barbers for allowing me bring my @zoomsoundlab H1n recorder to do a field recording session at their place 😀.

I made this using a @microsoft Surface Laptop 3 on Windows 10 with @Ableton Live, #Push 2, Wavetable, one drum rack and 3 instances of @audio.damage Quanta. This play-by-play below applies to the long version which is on YouTube here.

I start off playing an instance of Ableton Wavetable. I made a custom preset by importing the sound of a barber shaving cream hot lather dispenser to make a custom wavetable. The right waveform is barber shears. Further #SoundDesign from there to make it all an instrument. I play this on an Ableton #Push2 controller and record the notes I’m playing on-the-fly to create a MIDI loop. A bit of Echo and Reverb on this.

Once I get that going I move on the 2nd track which uses the most amazing @audio.damage Quanta granular synthesizer where I use a sample of barber shears. I improvise and record notes into a loop. I sweeten this using the Amazing Noises Outer Spaces @c74connect Max for Live reverb.

I move on to a 3rd track. Again I’m using Quanta. This time I’m doing granular synthesis using a field recording of the cash register drawer opening. The ding bell sound played across the keyboard and stretched with granular synthesis sounds a bit like chimes. Once again I use Outer Spaces as my reverb.

I move on to the 4th track, use Quanta yet again and this time the sample is the sound of a comb being banged inside a barber comb jar with Ableton Echo for effects.

I move on to the 5th track and bring things to a crescendo using an Ableton Drum rack loaded with samples of the footrest being dropped on an old barber chair, the sound of the razor strap on that old chair being jiggled, the din of the shop, shears, an electric clipper, the comb banging on the jar, and a blow dryer. I then start to fade dial back the energy and eventually return back where I started at Ableton Wavetable with a bit of barber shears.

Categories
Podcast Sonic Encounters

Sonic Encounters Volume 01 Liner Notes: Track 13 – Replicant’s Lament

Composed and performed in the dark near the Tannhäuser Gate.

Credits

replicants-lament-cover

Music and Cover Art by Mark Mosher.

Performance and Production Notes

Inspired by the movies Blade Runner and Soldier. In one session, I improvised and composed a set of musical motifs. I then mixed and arranged these motifs into the finished piece.

Instrumentation

I used the gorgeous sounding U-HE virtual synthesizers for this piece.

  • Hive (3 instances)
  • Zebra 2.5 (1 instance)
  • DIVA (1 instance)
  • Bazille (2 instances)

All the tracks use custom presets from INIT except one.

Instrumentalities

Improvised and composed with keys, grid, and mouse.

  • Novation Remote SL 25 MK2 Keyboard
  • Ableton Live 9.6.1
  • Windows 10
Categories
(Modulate This) Electro-Music Events Festivals

Electro-Music 2012 Festival in NY Sept. 7-9

em-2012-poster

Electro-Music 2012 Festival Is Almost Here

The fantastic lineup for Electro-Music 2012 Festival has been announced. This wonderful event is held at the Greenkill Retreat Center in Huguenot, New York so if you live nearby I recommend you check it out. If you’ve never been, read my show report from my first trip here.

If you can’t make the event, make sure you mark your calendar and tune into the live stream a http://radio.electro-music.com.

More info and tickets at http://event.electro-music.com/.

See You At the Festival

I’m excited to announce I’ll be returning to Electro-Music 2012 Festival in NY for the third year running. Here is a blurb for my events that will appear in the program.

Friday Sept. 7, 10:30 PM – Expressive Visual Controllerism Concert
In his third year at Electro-Music, Mark will continue to explore the boundaries of controllerism with Ableton Live coaxing even more expressive real-time performances out of his various virtual synthesizers. It’s all about original sci-fi techno songs and experimental improvs filled with classic and signature synth ear candy performed on keys, grids (Launchpad/Tenori-On), Theremin, AudioCubes, and Lemur.  Visual feedback FTW!

Saturday Sept. 8, 4:00-5:00pm – Creating and Controlling Signature Sounds
with Camel Audio Alchemy
Alchemy offers a great blend of performance features combined with deep synthesis, sample manipulation, resynthesis, granular synthesis, and built-in FX. There is also a mobile app that can act as a wireless multi-touch controller for Alchemy on your computer.  The goal of this talk is to shorten your learning curve so you can start creating your own expressive signature sounds for production and performance. Topics will include: Anatomy and signal flow, programming walk-throughs, tips on incorporating field recordings into patches, overview of modulation mapping, overview of FX, and performance mapping.

A Look Back at EM 2011

Playing the song "I Can See Them" live.  I'm controlling 4 dimensions of at the same time. Visuals behind me are by artists Project Ruori who are processing a live camera feed. Photo by Hong Waltzer.

 

The photo above is of from my 2011 performance and was taken by Hong Waltzer. Checkout out more photos from 2011 here. Below is a live recording of last year’s concert (downoad mp3 here).

I hope to see  you at the show.

Electronic Musician, Boulder CO
http://www.ModulateThis.com
www.MarkMosherMusic.com

Categories
Ableton Live Artist News Howard Jones Robbie Bronnimann Show Report

Show Report: Howard Jones & Duncan Sheik at the Boulton Centre for the Performing Arts, NY 10/22/2010

image

Last Friday I attended Howard Jones concert at the Boulton Center or the Performing Arts in New York. Here are a notes from the show.

Duncan Sheik
imageDuncan Sheik was the opening act. He sang and played his own accompaniment on acoustic guitar with some stories in between. Note – Duncan collaborated on Howard’s song, Someone You Need, and performed joined Howard's 25th Anniversary concert at the indigO2. Of course I enjoyed the hit “Barley Breathing”, my favorite song was “The Tale of Solomon Snell” off of his latest album Whisper House. It was  was quite fitting for the Halloween season. Sheik’s acoustic set offered an excellent contrast and complimented Howard’s show well.

Howard Jones1st song

Howard performed in an Electric 3 piece band configuration with Robbie Bronnimann playing keys, doing live arrangements and sequence playback, and live mixing with Ableton Live; and Jonathan Atkinson on electronic drums.

image

The set list was an excellent mix of classic Howard Jones songs with newer songs from recent albums Revolution of the Heart and Ordinary Heroes mixed in.

One thing I really liked about this show was that although a lot of the songs were from Howard’s classic catalog, the show was not a “nostalgia act”. The arrangements were fresh and the performances were tight and had a vitality to them you could really feel.

Having Robbie doing the heavy lifting with Ableton Live and live mixing imagefreed up Howard up to focus on singing, playing and interacting with the crowd. It’s clear Howard is a seasoned artist who continues to take performance seriously and really connects with the audience. Jonathan Atkinson’s drumming also brought a human groove and interesting visual element to the performance.

My favorite song of the night was “Equality”. It started off with Robbie doing a real-time jam with all sorts of beat slicing using Novation Launchpad.

Later in the show, Duncan Sheik came back on stage and he and Howard did a version of Tears for Fears “Shout”.image

Taking a Bow

Live Rig Notes
imageAfter the show I got to meet and talk with Robbie Bronnimann about the show. He’s using Ableton Live running on a Mac with a Novation Remote SL MK II which he uses to play keyboard parts. He also uses the Remote SL as a controller for Live devices. He is using two Novation Launchpads to control mix, launch clips and scenes, and to control devices.

The entire rig is mounted on a custom tube system which is strapped to a V-Stand and can be packed into a flight case. Speaking of this, he mentioned that this is the only rig the entire band transport. Howard’s Fantom G8 and Jonathan’s drum kit – I believe it was a a Roland TD-20s V-Pro™ Series – are provided locally. So they show up and load their sounds prior to the show. Now that’ s a small carbon footprint.

Howard played all his parts from the Fantom G8. Patches either sounded either spot on from album versions, or where updated and freshened up but still worked very well.

Meet and Greet
Both Howard Jones and Duncan Sheik took time out after the show to do a meet and great for all attendees at the lounge at the back of the theatre which was really cool for the fans. After talking with Robbie, I did manage to get up there and was last in line and briefly met both Howard and Duncan who graciously signed my 25th Anniversary concert at the indigO2 DVD :^).

Great Show!
What a great night. The music and performances were fantastic and the crowd was really into it and often sang along. While this was the last show of this short American tour, I recommend you visit http://howardjones.com/touring.html to stay informed about upcoming shows.

Links

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03_MarkMosher-Soundcheck-electromusic2010Mark Mosher
Electronic Musician, Boulder, CO
www.ModulateThis.com
www.MarkMosherMusic.com