“The Treatise on Musical Objects” by Pierre Schaeffer. 600+ pages. I’m goin’ in!
Check out this fun behind-the-scenes video including interviews with Carbon Dioxide Ensemble Members, filmmaker Taylor Dunne (http://TaylorDunne.com) and an excerpt from our performance. It was an incredible night. The person who booked us gave us this feedback.
The carbon dioxide ensemble’s set was exceptionally killer. My teenage sister got to see your performance and was shocked/amazed/mind-warped.
I’ll take that!
When you get to the performance video where Taylor is improvising with 16mm film loops, check out how her performance is lighting up the ensemble like we’re using a strobe light!
A behind-the-scenes video with the Carbon Dioxide Ensemble with Taylor Dunne at Time + Space Fundraiser for A Process Rehearsal Fundraiser in Denver, CO. Taylor Dunne improvising with us using 16mm film. The video also gives you a sense for this event.The Carbon Dioxide Ensemble is: Thomas Lundy on Copper Heart with Dry Ice, Victoria Lundy on Theremin and Reaktor, Mark Mosher on Elekton Octatrack and Novation Circuit.Process Reversal’s mission is to promote the continued use of photochemical processes by filmmakers, artists, hobbyists, and the public at large by providing the training, the exposure, and the opportunity required.
I recently did a post where I manipulated the sample of the sound of a pen striking a half-full can of soda with Ableton Push and pad pressure. In this post I used the same sample, but this time with Absynth. You can listen to the experiment on Soundcloud here or in the embedded player below.
The recoridng starts with the original sample just to illistrate the starting point. I built an Absynth preset with granular synthesis to manipulate the play head plus grain size. I use the Aetherizer effect to further manipulate the signal with a comb filter with feedback. I achieve non-linearity by setting the sample start envelope to "Loop" which causes the sound to keep re triggering and playing through the grains and filing up the Aetherizer's buffer. When played at certain pitches, this non-linearity feedback results in a Geiger counter-like sound. All that from a coke can strike :^) A play the preset with various notes to show how different the harmonic content is as it feedback at different frequencies.
I've become quite handy with Absynth, so if there is some aspect of Absynth you'd like me to do a post on, leave a comment.