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(Mark Mosher Music News) (Modulate This) Synth: Largo

Waldorf Largo is Back in My Rig (No Dongle Required Now) + Video of Original Krell Patch for Largo

It’s baaaaaack. Yes Waldorf Largo is back in play in my Ableton Live rig. To celebrate this, I’ve just published a short video of a Krell patch I made called “Cold Space” using Largo with a little inspiration from the Krell channeling themselves through Dr. Morbius.

Look Ma – No Dongle!

A big thanks to sound designer Empty Vessel who tipped me off that that Waldorf had changed their licensing scheme to use activation rather than eLicenser.

I logged into my Waldorf account and went to https://waldorfmusic.com/en/my-software and sure enough – there was an option to to convert the the Syncrosoft License Key. Looks like they made the change back in 2016 so I’m late to this party – but better late than never.

Ironically, I ALMOST recycled the the case that had the Largo CD and contained the Syncrosoft key this week! That would have been super sad – so thanks Empty Vessel!

largo-sounds-newechoRediscovery of Original Presets

I bought Largo back in 2011 and pretty much stopped it within a year because of the dongle buzz kill – and at the time I had a Blofeld. After I reinstalled Largo yesterday I remembered I had made some original presets for it. I dug through my backups and found 40+ original presets including “Cold Space” which is in the video above.

 

 

 

Here is another example of a preset I put on soundloud back in 2011. It shows off the awesome comb filter and FM on the Largo. I have the filters setup in “Serial” mode. Filter 1 is a comb filter which colors the sound and Filter 2 is low pass to control brightness.

Largo vs Blofeld

largo-vs-blofeld

Since were on the topic of Largo – I wanted to mention that there are differences between Largo and Blofeld. Largo some unique features such as sub-oscillators, 256 vs 25 note polyphony, and an awesome 6-stage chorus to name a few. See my blog post, and corresponding mind map for a more detailed look at Largo vs Blofeld.

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Mark Mosher
Synthesist & Multimedia Artist

Artist Site: NewEcho.com
Electronic Music Tech & Production Blog:  ModulateThis.com

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Fear Cannot Save Us Podcast

Sonic Encounters Volume 01 Liner Notes: Track 012 – Tonalities from Orbit #2

This is the Krell again. We are beaming a 2nd tonality to your station. Are you receiving?

Listen to this episode on Soundcloud. You can subscribe to the Podcast in iTunes, or use this RSS Feed for your favorite podcatcher so you never miss an episode.

If you dig this piece, leave a comment. Checkout my releases here. You can also make a donation to support my art here.

Credits

013 Tonalities from Orbit #2-cover

Music and Cover Art by Mark Mosher.

Performance and Production Notes

This is another piece inspired by the ground-breaking work of Louis and Bebe Barron on the film Forbidden Planet.  I use oscillators as the primary source for the piece.

Blofeld + Launchpad Pro + Octatrack
Blofeld + Launchpad Pro + Octatrack

The soundtrack is live improvisation using the Waldorf Blofled synthesizer with custom programs from INIT. The Novation Launchpad Pro grid performance instrument was used to perform notes with pressure on the Blofeld. In addition to live manipulation of the Blofeld through it’s hardware interface, I  live sampled and live looped the audio coming out of the Blofeld into an Electron Octatrack. From there I used the Octatrack’s chromatic mode, morphing with crossfader, and did live sequencing with trig automation. The Octatrack also provided additional effects.

I recorded a video of me performing this piece in the studio https://youtu.be/atDFO0YnnrI