Bandcamp Friday! A friendly reminder that today (Friday Dec 4th) is Bandcamp Friday where Bandcamp waives their fees giving artists a bigger share. So it’s a great day to buy some music from your fav artists. My Latest Bandcamp Single In a related note, I’ve just released a new single called “Beguiled”. It’s the audio […]
Darwin Grosse and I performed another (no)poem set the Rocky Mountain Synthesizer Meetup on January 12th. (no)poem is our original experimental ambient duo. We improvise using graphical scores. We also use generative feedback-based visuals via Max Patch that Darwin developed. This performance was in the wonderful Walnut Room in Denver which has a fantastic PA. Below […]
I attended the Ableton Live 9, Max for Live and Push Premiere Event the University of Denver on Wednesday February 27th. Ableton Certified Trainer and electronic artist Orville Kline joins Darwin Grosse from Cycling 74 for a unique performance and presentation covering the new features of Ableton Live 9, the potential of Max for Live […]
Photo: DMNS Gates Planetarium Robert Henke of Monolake and one of the creators of Ableton live came through Denver and performed his work “Intersection” on Monday and then delivered a lecture at Denver University on Tuesday. This invitation only event was hosted by The Digital Media Studies program at the University of Denver. This was […]
Robert Henke, co-founder of Ableton has released some interesting looking Max for Live devices on his website – http://www.monolake.de/technology/m4l.html. Devices include: The legendary PX-18 step sequencer Black – "A simple device which does two things: It displays songtime in hours:minutes:seconds- at least as long as you are working with a constant song tempo. And it […]
Last weekend I attended the Communikey Festival of Electronic Arts at the Atlas Center in Boulder, Colorado where I was lucky enough to be one of the first to see Max for Live in action. Cycling '74's Director of Engineering Darwin Grosse gave an hour and half seminar offering an preview of Max for Live. […]
Mark Mosher