My friend and mastering engineer Steve Turnidge just posted this on his FB page. It’s a video of the “Yellow Magic Orchestra – TECHNOPOLIS [Live] (Jun. 2, 1980) HD”. This is so great on so many levels with a super tight full band performance with some fun vocoding, an old-school modular, and the classic “unlit cig while playing on TV” punk move.
I think I listened to this like 5 times before moving on to a video of “TONG POO – YMO 1979 LIVE at THE GREEK THEATRE” which is the encore from this show!
Well there goes your morning just watching all the “Up Next” videos. You are welcome.
My cover of “Derezzed” (Mile High Edit) was really an illustration of the show concept I designed and performed from 2010-2015. While that show was performed with all original music I also thought it would be fun to do a cover with the same show design – because – well I love Daft Punk. So let’s start with that…
Video “Derezzed” Cover (Mile High Edit)
I re-sequenced the song from scratch (no samples for the original were used). I performed the music and visuals live in a single take with no edits.
My rig at the time was Ableton Live, Percussa AudioCubes, Moog Etherwave Theremin Plus, and Tenori-On sending MIDI notes to an Ableton Rack with VSTs. I used the Machine to control the arrangement in Ableton on-the-fly and to live sequencing the parts I wasn’t playing live as well trigger clips in Live to automate changes in Resolume. The AudioCubes were used to trigger and control effects through gestures, as well as add 4 more dimensions of gestural control for effects for the Theremin. I used the Tenori-on to improvise a lead :^) More on all this below…
Background & Show Design
I created the show concept in support of my original alien invasion sci-fi theme concept albums Reboot, I Hear Your Signals, and – at the time – the forthcoming Fear Cannot Save Us.
Note: These albums are available on Spotify, Apple Music and most other outlets. The albums are free “name your price” on Bandcamp.
My design goal was to have the audience more easily relate to what I was doing with a complex and abstract rig by incorporating controllers that offered real-time visual feedback. This would allow them to correlate what I was doing with what they were hearing from the speakers. As the show evolved I amplified this further with projected visuals with real-time FX using only live camera input.
Visually the show design was a inspired in part by Tron, and John Carpenter’s “They Live”. I also used additional lighting to create shadows inspired by German expressionism films like “The Cabinet of Dr. Caligari“.
Here is an example of a live performance. More videos from shows at the bottom of the post.