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(Mark Mosher Music News) Elektron Elektron Analog Four Elektron Digitone Improvisation Live Streaming Live Streaming Concerts Live Streaming Event Octatrack Performance Videos resolume Synth: Analog Synth: Analog Four Synth: Octatrak

Video Replay of My May 22nd Live Stream Multimedia Concert with BTS Notes on Using Elektron Machines , Novation Controllers, and Resolume

If you missed my live stream a few weeks back here is an unedited YouTube live replay of my solo multimedia concert. The performance is a combination of live arrangement and live playing that features original electronic music with real-time visuals.

More live streams are coming, so subscribe to my YouTube channel and click the bell icon to get notified of upcoming videos and streams.

Set List

The video is 23 minutes long but if you just want to jump to a particular song you can use the links below. Let me know in the comments which was your fav 😃.

  • 0:00 Stand By (Recording of soundscape “Slipping Into Stasis Entering Jump Gate 42” from album Sonic Encounters Volume 02
  • 0:35Gonna Rise Up live performance of song from the album Fear Cannot Save Us
  • 4:27 “Replicant’s Dream” live performance of a song from a forthcoming album
  • 7:42 “Techno Planet 01” live performance of a song from a forthcoming album
  • 11:49Disconnecteda Bandcamp single performed live
  • 16:50 “Light Runner” live performance of song from a forthcoming album
  • 22:34 End Program with audio excerpt from the song “They Walk Among Us” from album Reboot

As you can see some of these tracks will be released in the future. Follow or subscribe on my Bandcamp site to get notified of an album or single release.

Performance Notes

All the music and sound is from Elektron Analog Four MKI, Octatrack MKII, and Digitone. The machines are not synced. I mostly play directly from the machines, but also play notes on the Analog Four via the Novation Launchkey Mini MK3 keyboard and on the Digitone via the Launchpad Pro MK3 grid. I also use the Launchkey Mini MK3 along with a Logidy UM3 pedal to control Resolume Arena 7 in real-time. Visual sources are from live camera input and other various sources.


Mentions

The performance got some nice mentions by synth publications.

Synthtopia

The video was featured as a Synth Sunday Jam. Thanks Synthtopia – woot!

Synth and Software Magazine

I got an amazingly kind mention on the Synth and Software Facebook page.

Synth & Software is an online publication and social media community for electronic music enthusiasts—anyone who enjoys listening or who plays, programs, or aspires to make music with synthesizers, samplers, DAWs, audio processors, and other instruments and software…

https://synthandsoftware.com

Performance “Instrument” Notes

I view this entire rig as a multimedia “instrument”. One goal in designing this “instrument” was to accommodate the following use cases while being air locked in a performance cockpit where my performance flow would not change whether I’m performing:

  1. Music sets in-person
  2. Music + visuals sets in person
  3. Music + visual sets via live stream
  4. Music + visuals sets in person simulcast via live stream

Performance Cockpit

When I’m performing in person I don’t normally use headphones and don’t look at the monitor on my laptop. Instead listen I to the P.A. or monitors. I look at the screen or wall/screen/scrim where the visuals are being projected. This incorporates the performance space as part of the vibe of the performance.

My streaming equivalent of this is to us a big screen right in front of me and perform with reference monitors at near concert volumes. Performing this way is much closer to performing on stage in front of an audience which puts more positive energy into the performance.

Conceptual Overview of 2020 Rig

Click image to see large version of diagram
  1. Performance Cockpit – The region outlined with aqua highlighter is my performance cockpit where I play, perform, control live arrangements, and visuals.
  2. Music Machines – All sound and music is produced via the following Elektron machines:
    1. Analog Four – Analog synth with 4 synths and effects
    2. Octatrack – Performance sampler, mixer, looper, effects processor, live arrangement of playback when needed
    3. Digitone – Digital FM synth with 4 synth and effects
  3. Live Camera for Visual Synthesis – I compose the camera shots in real-time by moving a Logitech HD Webcam which is a source for my visual software Resolume
  4. MIDI Controllers
    1. Novation Launchkey Mini MK3 – Keys are used to play the Analog Four through hardware MIDI. RGB pads use custom MIDI modes to control Resolume through USB MIDI.
    2. Novation Launchpad Pro MK3 – Velocity and pressure sensitive pads are used to play the Digitone through hardware MIDI. I have custom control modes that I can also use to control Resolume via USB MIDI.
  5. Audio & Visual Monitoring – Screen + reference monitors.
  6. Audio to the house / Audio interface with Loopback for Streaming – Yamaha AG06
  7. Laptop for Visuals and Streaming – Microsoft Surface Laptop 3, Windows 10
  8. Visual Software – Resolume Arena 7 software
  9. Streaming Software – OBS Studio software for streaming
  10. Streaming Endpoint – YouTube…

Using Midi Controllers to Decouple Visual Arrangements from Song Arrangement

In past incarnations of my multimedia show I controlled the arrangement and automation of visual effects for Resolume with Ableton Live “dummy clips” and automation envelopes. This meant the arrangement for visuals were implicitly locked with musical arrangement. For this new rig I wanted to decouple the visuals from the audio arrangement. This would allow me to perform the arrangement of the visuals manually making the experience more variable and unique with repeat performances.

I now control arrangement with the RBG pads on the Novation Launchkey MINI MK3.

Alternatively I can use the Logidy foot pedal for hands-free arrangement.

Carousel image

While I’m pretty busy playing and doing live arrangement, I can also use the Launchpad Pro MK3 with it’s custom MIDI modes and velocity sensitive fader grid feature to control parameters on Resolume.

FYI I’ve written past posts on these controllers in these categories:

Juggling Machines with No MIDI Sync

My set list is made up of songs spread across each machine and I often perform an entire song using only one machine. In a few cases I will work across machines. For example, I perform the majority of my song “Disconnected” on the Octatrack and the leads from the Analog Four.

The machines are not synced and are not connected via MIDI. This allows for complete freedom to do live arrangement, change my set list on-the-fly. I might have corresponding patterns with matching tempos across machines but I select them and trigger them on-the-fly so I can play around with the pocket, tap tempo to shift or even change tempos or free-form play to add more tension.

Having no cross-machine dependency also means if a machine where to go down during a performance or have to be rebooted (which has never happened), the song and show can go on.

Fits in One Case and a Backpack

Another design goal for the rig was it had to fit into a Pelican 1510 case and backpack. This allows me to fly with the rig as well as load in to local shows with only one trip from the car.

I flew with an earlier version of this rig to Asheville, NC to perform at Mountain Skies in 2019 and manage to jam all this into a Pelican 1510.

With the addition of the new controllers I’m sure I could fit it all in the pelican with some overflow into my backpack.


In Closing

Thanks for following along on this long read. If you’d like to get blog posts via email opt-in below.

Also swing by my Bandcamp page if you’d like to listen to some of my audio recordings, and my YouTube page to check out move videos.

Categories
(Mark Mosher Music News) (Modulate This) Boulder Concert Events Guest Appearances, Interviews, Awards Live Performance Live Recording

Video of My Guest Solo Performance with the Boulder Laptop Orchestra Event at CU Atlas Institute

I mentioned a few weeks back that I had the incredible honor of being invited to perform with the Boulder Laptop Orchestra on March 18th (Related Blog Post). For those that couldn’t make it her is a live video recording from the “Boulder Laptop Orchestra BLOrK performs with guest Mark Mosher” event (Facebook Invite).

The video features my original solo improvisational piece “Tonalities from Orbit” which I was invited to perform to close out the night with the ensemble. Earlier in the program I performed interactive visuals for 7 pieces for the ensemble.

The video is live and audio from a Zoom Q4N.

Program Notes

Tonalities from Orbit” is an original structured improvisational piece inspired by the ground breaking work of Louis and Bebe Barron – who in the 1956 provided the soundtrack to the seminal Scifi film Forbidden Planet.
The hand-built circuits they used to create the “electronic tonalities” of this film pre-dated the modern synthesizer and were limited to oscillators (producing mainly square, sine, & triangle waves), ring modulators, overdriven tubes, reverb, and delay (done with tape manipulation).
Informed by these limitations, and using only a Nord Lead 4 synthesizer, Mark created 14 original and expressive “circuit states”. In this performance he will play and morph between these states as a framework for the piece as he brings his version of the Krell to life.
The performance will be complimented with Mark’s real-time visuals using only live camera input as a source with audio-responsive automation.

Photos and Program

Categories
Concert Events Live Performance Video

Live Performance Video – Part 1 Boulder Synthesizer Meetup August 11, 2015

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This video is part 1 of a live cinematic electronica set I performed at the Boulder Synthesizer Meetup on August 11th 2015 at the Walnut room in Denver. In this video I’m performing both the music and the visuals.

https://vimeo.com/136179823

In part 1 I perform an extended version of “Gonna Rise Up” from the album Fear Cannot Save Us” markmosher.bandcamp.com/album/fear-cannot-save-us. For this piece, I was doing live arrangement on the Octatrack plus playing lead synth on the Waldorf Blofeld. The lead patch is an original patch from INIT using OSC2 & 3 for sync with mod wheel. The original lead patch on the album version was done with Zebra 2. To retain some of its character, I used Extreme Sample Convert to multi-sample the Zebra patch then import into the Blofeld for the source for Oscillator 1.

Rig Notes:
This set was performed only on Octatrack dynamic performance sampler with original field recordings and sonic elements from albums plus a Waldorf Blofled keyboard with original presets.

Recording Notes:
Live audio was recorded on a Zoom H2n fed by my sub-mix to house via Mackie 402VLZ3. Main footage is from a GoPro with secondary foot from my friend Chris Frain.

Visuals Notes:
The ONLY video source is from live camera input being run through layers of custom Resolume presets controlled by an Arturia Beatstep live.