Category: Max for Live
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Ableton as a Modular: Max for Live Envelope Follower Driving an Arp with Push 2
Here is a brief video illustrating how Max for Live transforms all of Live into a modular. Max for Live allows you to override the normal left-to-right signal flow and patch Max for Live Devices to any mappable param in any track. I’m using Max for Live Envelope Follower on a a track with a […]
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Stray Cats Collection Free in Collab with Ableton, Max for Cats and Sonic Bloom
In collaboration with Max for Cats and Sonic Bloom, we’ve made the Stray Cats Collection, a free Pack of Max for Live devices. (Note: this Pack requires Max for Live, which is included in Live Suite or available for purchase for Live Standard.) https://www.ableton.com/en/blog/ideas-offers-making-music-home/ More Links from Sonic Bloom and Max for Cats Sonic Bloom […]
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Get All the Features of Ableton Live 10 Suite Free for 90 Days!
Ableton has just extended the free trial the Live 10 Suite free from 30 to 90 days (including the ability to save and export). So whether you are running Live Intro or Standard and were curious about awesome synths like Wavetable or Operator or Max for Live devices – or you are new to Live […]
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Improv with Ableton Live, Push 2 and Max for Live Devices FlexGroove and Granulator II
Here is video of an improv with Ableton Live and Push2 I streamed to Facebook Live earlier today. The video is a download from my FB live stream so low rez but you’ll get the idea. I improvised it all on-the-fly. Prior to playing I setup a few tracks such as a Simpler containing a […]
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Photos and Video from Rocky Mountain Synthesizer Meetup 7th Anniversary at Tilt Arcade
We had a crazy fun time at Tilt arcade on Tuesday night at our 7th anniversary celebration! Event description here. Of course the meetup is http://RockyMountainSynth.com. A Huge Thanks To… Tilt for access to their amazing arcade. Istonik Studios who provided 3 licenses for the Arcade Series Ultimate Max for Live sequencer pack Chris Blarsky […]
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Recommended Video – “What Is MaxForLive… And Why Aren’t You Using It Yet!?” by ELPHNT
Max for Live is an incredibly helpful solution that allows you to further customize and extend Ableton Live. While you can use it as a development tool, many people I’ve bumped into don’t realize it’s also extremely useful to artists who don’t develop. For example, I’ve been using it for years now to use Ableton […]
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What’s New in Ableton Live 10.0.6 and 10.1 Beta
Live 10.0.6 Now Available Ableton Live 10.0.6 is now available. For me the biggest news here is they “updated the bundled Max application to Max 8.0.2.” This means some advanced Max for Live devices ( ex. Isotonik Studios Signal) no longer require you to download Max 8.0.2 and point to that version in Preferences. More […]
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Isotonik Studios Max for Live Generative Sequencers Arcade Series Returns
I’m a huge fan of Isotonik Studio’s work so I was happy to see The Arcade Series Returns. I’ll hopefully have time to dig into these sequencers soon – so for now, I’m spreading the word on a what looks to be a very cool set of Max for Live devices. The Arcade Series Returns is a […]
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Ableton Acquires Cycling ’74
It was announced today Ableton Acquired Cycling ’74. Congrats to all my friends at both companies! As someone who uses Ableton Live and Max for Live on a daily basis I’m pretty excited to see where this acquisition takes both products. Even as two separate companies, the combination of Live and Max for Live have […]
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Video: Late Night Sound Design: Granulated Resynthesized Bell
Video of a short improv with Max for Live Granulator II, Convolution Reverb; Ping Pong Delay; Frequency Shifter.
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Winter Projects with @uheplugins Zebra 2: Sound Design, New Max for Live Device, and Refining Lemur Patch
Winter is here in Boulder, CO. This time of year I tend to do a lot of sound design work next to a nice warm fire :^) I traditionally pick one synth to focus on and create patches from INIT. This year I picked an old favorite, U-He’s Zebra 2. I’ve already got 70+ patches I’ve […]
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Using Cycling ’74 BEAP Modular in Max for Live
I’m digging deeper into BEAP. Note – I’ve created a category for BEAP posts – http://www.modulatethis.com/beap/. Today I worked out how to use a BEAP patch with Max for Live. The trick is to MIDI from Live’s “midin” object to BEAP’s MIDI to Signal then map the audio to BEAP’s M4L-OUT. You can then use […]
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Max 7 Sneak Preview: Episode 2 “Cat Rave”
Here is a fun teaser video of Max 7. You can now incorporate Max for Live devices in Max. This video also shows off some new video attributes. Max 7 Sneak Preview: Episode 2 "Cat Rave”. Anyone who buys Max 6 now — a new copy or an upgrade — gets the Max 7 upgrade […]
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Dub Machines M4L Tape and Analog Delays & Art + Music + Technology Podcast Interview with Developers
Surreal Machines (http://www.surrealmachines.com/) has released a new set of Max for Live devices for Ableton Live called Dub Machines. For $39 you get 2 devices, 95 presets, and 2 live sets. Dub Machines is a pair of expertly designed Max for Live devices that reproduce, and expand on the sound of classic tape and analog […]
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Robert Henke LFO 2.0 Max for Live Device for Ableton Live 9.x
LFO 2.0 is the result of trying to build the best general purpose swiss knife LFO for myself. It needs Ableton Live 9.x with Max4Live installed. It offers three basic ways of modulating a target: Directly via Live's engine, (Engine) which disables manual control of the target parameter and is perfect for fast modulations. Or […]
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How to use Max for Live LFO MIDI Device to Add Drift to Ableton Analog
I’m starting a new category called M4L Essentials where I can offer ideas on how to use the devices included with Live 9 Studio to turn Live itself into more of a modular synth. These M4L devices can help you overcome the lack of built-in mod matrixes in many of the Live instruments. This will […]
Mark Mosher 